Wednesday, March 25, 2015
Here, in my opinion, is a truly great short, abstract film: Ralph Steiner’s H2O (1929). In this film, the image’s eventual distillation from clearly identifiable shots of water into a series of constantly undulating abstract designs on its surface — in glorious black & white — is a marvel of early avant-garde filmmaking. I think that H2O ought to be taught in “introduction to cinema” classes. However, I didn’t learn about this extraordinary film until well after I left college. Although I took a class on American avant-garde cinema, our professor began this kind of film in 1943, with Maya Deren and Alexander Hammid’s rightfully legendary (but not unprecedented) Meshes of the Afternoon. So, not only was H2O off the syllabus, but so were such intriguing prewar American avant-garde films as Robert Florey’s The Life and Death of 9413: A Hollywood Extra (1928) and James Sibley Watson and Melville Webber’s Lot in Sodom (1933). Now, with H2O (a silent film, here accompanied with new music by Larry Marotta) and other experimental shorts now accessible on video and the Internet, a more complete picture of the long history of avant-garde cinema is finally available to be seen by a wide audience.
Wednesday, March 11, 2015
When debating the economy, Republicans and Democrats often talk past each other. That’s because most Republicans believe very fervently that these shaky economic tenets are true, while most Democrats at least question them — if not believing with equal fervency that they are false. If the two parties can’t agree on the fundamentals of what makes the economy tick, I don’t see how any truly meaningful bipartisan economic legislation, legislation that helps most Americans, can come out of Washington any time soon.